Start the day with Romero :(, continue with Martin Landau, then what ? Landau who was Rollin Hand in the original Mission:Impossible series (1966) won an Oscar 30 years later for his portayal of Bela Lugosi in Ed Wood, Tim Burton's biopic. Terric performance. But a cold and menacing one he did when he was very young in Hitchcock's masterpiece, North by Northwest. Landau died Saturday in Los Angeles. He was 89.
luni, 17 iulie 2017
he was supposed to be Grossmann's main guest rhis year. He cancelled less than a month ago for health reasons. Sunday the 13th Grossmann was over. Sunday George A. Romero, the father of the Lving dead as we know it has passed away. He was 77.
joi, 13 iulie 2017
the most fun i've seen in a while, an offensive comedy from Netherlands ser in satirical movie world and introducong a far out character which is like Kenny Powers done by Will Ferrell combined with the essential loser character from Kaurismaki films. Directors Steffen & Flip take fun at their own New Kids series and the whole Dutch film industry and society.
joi, 29 iunie 2017
-The story of the song is told here by Focus' Tjih Van Leer on the verge of the Nike World Cup commercial which put the song on a new map in 2010. And you can see the band in its greatness. Saw it live with Jan Akkerman four times, eversince back in 1995. Yep. When i got to interview him in Brasov in 2013, I told him that I always thought this song will make a great film sequence, and yes, I saw it now. A shoot-out Heat (M.Mann) style, edited on the music and a bullet ballet, emphatic and overdramatic. Kudos, Edgar Wright !
*I still have my own shot with Iron Maiden's cover of the song :)
and here some more and specifically he talks about this one:
*"I found out about Focus from this music show that ran in England for ages called The Old Grey Whistle Test – they did a performance of that song on there that blew my mind. I'm not a big prog rock fan, but I do love fast prog – the sheer musicianship you need to play that kind of stuff that fast is impressive. I think this was a Top 10 hit in the U.S. … which is pretty unusual for an instrumental track that features yodeling. The studio wanted to cut it. I had to use my own money to pay for two extra days of shooting so we could get it – and it's my favorite bit in the film. I always thought it'd be great if you made a car chase movie, and then have one of the most explosive scenes in the movie be a foot chase. People have asked how I picked the tracks for Baby Driver, and this is a good example. If you had a dance track or a rock track that had a similar tempo all the way through, it's actually not that helpful. Whereas the reason that something like "Hocus Pocus" ends up becoming a key track in the film is because you can hear that, Ok, this is part of a running scene – it's like your best cardio track ever. But it also has these stop-start intervals in it, so you can let a scene dictate itself according to the track: Ok, here are the fast guitars, he's running. Wait, there's yodeling breakdown here, so this is where he's hiding behind a tree, catching his breath. Wait a second, we're gearing up for another guitar part – so here's where he starts running again, and in the next breakdown, he's hiding in a mall. Hold on, there's an accordion breakdown – so now he's breaking into a car. You're able to take a 1970 song like that and write a complete action sequence in 2017." (Edgar Wright)